Editorial —Janet Brennan Croft
“In the Hilt is Fame”: Resonances of Medieval Swords and Sword-lore in J.R.R. Tolkien’s The Hobbit and The Lord of the Rings —K.S. Whetter and R. Andrew McDonald
Myth Maker, Unicorn Maker: C.S. Lewis and the Reshaping of Medieval Thought —Chad Wriglesworth
The Theory and Practice of Alliterative Verse in the Work of J.R.R. Tolkien —Mark F. Hall
“Surely You Don’t Disbelieve”: Tolkien and Pius X: Anti-Modernism in Middle-earth —A.R. Bossert
The Shell-shocked Hobbit: The First World War and Tolkien’s Trauma of the Ring —Michael Livingston
Lord Dunsany and the Great War: Don Rodriguez and the Rebirth of Romance —David J. Carlson
Playing by the Rules: Kipling’s “Great Game” vs. “The Great Dance” in C.S. Lewis’s Space Trilogy —Teresa Hooper
An Unexpected Guest —Anne Amison
Dreaming of Dragons: Tolkien’s Impact on Heaney’s Beowulf —Felicia Jean Steele
Wise Warriors in Tolkien, Lewis, and Rowling —Ernelle Fife
From Isolation to Community: Frodo’s Incomplete Personal Quest in The Lord of the Rings —Devin Brown
Bombadil’s Role in The Lord of the Rings —Michael Treschow and Mark Duckworth
“Where is that Worthless Dreamer?” Bottom’s Fantastic Redemption in Hoffman’s A Midsummer Night’s Dream —Frank P. Riga